New Left Review, Volume 321 (May - June 2014)

New Left Review, Volume 321 (May - June 2014)

Language: English

Pages: 154

ISBN: 2:00245093

Format: PDF / Kindle (mobi) / ePub


From Wiki:

The New Left Review is a bimonthly political magazine covering world politics, economy, and culture. It was established in 1960. In 2003, the magazine ranked 12th by impact factor on a list of the top 20 political science journals in the world. According to the Journal Citation Reports, the journal has a 2012 impact factor of 1.485, ranking it 25th out of 157 journals in the category "Political Science"and 10th out of 92 journals in the category "Social Sciences, Interdisciplinary".

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From NLR website:

A 160-page journal published every two months from London, New Left Review analyses world politics, the global economy, state powers and protest movements; contemporary social theory, history and philosophy; cinema, literature, heterodox art and aesthetics. It runs a regular book review section and carries interviews, essays, topical comments and signed editorials on political issues of the day. ‘Brief History of New Left Review’ gives an account of NLR’s political and intellectual trajectory since its launch in 1960.

The NLR Online Archive includes the full text of all articles published since 1960; the complete index can be searched by author, title, subject or issue number. The full NLR Index 1960-2010 is available in print and can be purchased here. Subscribers to the print edition get free access to the entire online archive; two or three articles from each new issue are available free online. If you wish to subscribe to NLR, you can take advantage of special offers by subscribing online, or contact the Subscriptions Director below.

NLR is also published in Spanish, and selected articles are available in Greek, Italian, Korean, Portuguese and Turkish.

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Volodymyr Ishchenko: Ukraine's Fractures

Antecedents and aftershocks of the Maidan protests. A Ukrainian sociologist discusses the riven political and ideological landscape laid bare by the fall of Yanukovych, and the tensions being stoked in the country’s east by Russian interference and Kiev’s ongoing military assault.

Wolfgang Streeck: How Will Capitalism End?

Its challengers apparently vanquished, the main threat to capitalism may now come from disorders that lurk within the system itself. Wolfgang Streeck diagnoses its crisis symptoms, from persistent stagnation to global anarchy, and asks what lies in store as they multiply.

Aminata Traoré, Boubacar Boris Diop: African Impostures

Exchanges between two West African intellectuals amidst the latest French incursion in the region, this time on Malian soil. The recurrent delusions of humanitarian warfare, and continued submission of local elites to Paris.

Sean Starrs: The Chimera of Global Convergence

Has the rise of the BRICs weakened the West’s grip on core sectors of the world economy? Sean Starrs weighs impressions of Western decline against the empirical evidence, finding plentiful signs of enduring US and European corporate power.

José Emilio Burucúa, Nicolás Kwiatkowski: The Absent Double

What images arise when representation reaches its limits? Two cultural historians explore the emergence since classical antiquity of a series of visual devices for depicting massacres: from hunting scenes and martyrdoms to infernos and Doppelgänger.

Sven Lütticken: Cultural Revolution

Mutations of an untimely concept, in a period when capitalism has arrogated to itself the power of radical transformation. From Debord and Marcuse to the contemporary art world, by way of punk rock and hip hop.

Francis Mulhern on Rob Colls, George Orwell: English Rebel. The protean cult of Eric Blair finds its latest iteration.

Robin Blackburn on Richard Huzzey, Freedom Burning. Victorian Britain’s anti-slavery crusade as accomplice of imperial expansion.

Barry Schwabsky on Jacques Rancière, Aisthesis. Episodes from a history of modern art, from Winckelmann to Mallarmé to Vertov.

The Continuum Companion to Aesthetics

Surfaces: A History

Después del fin del arte

Visual Art and Education in an Era of Designer Capitalism: Deconstructing the Oral Eye

Classic and Romantic German Aesthetics (Cambridge Texts in the History of Philosophy)

The Art and Aesthetics of Boxing

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

each phone could be hundreds of dollars. This commanding position stems from the American firm’s control over the global supply chain and its ownership of the highest value ‘modules’ (brand, marketing, innovation, research and development). Contract manufacturers like Hon Hai struggle to climb up the value chain as their competitive edge derives largely from cost-cutting, reducing their ability to take the risks involved in developing their own branded designs and global market­ ing campaigns.10

in Painting’ leading to an influx of new money.14 At the time and more recently, the ‘new painting’ was often seen as the visual counterpart of punk: both involved a form of Diedrich Diederichsen, ‘People of Intensity, People of Power: The Nietzsche Economy’, e-flux journal 19, October 2010. 13 For a trenchant critique, see Mimi Thi Nguyen and Golnar Nikpour, Punk, no. 4 of the Guillotine chapbook series, New York 2013. 14 This was the title of a 1981 blockbuster show at the Royal Academy in

ideas—recuperated by the new property forms of so-called ‘intellectual property’. These are the accelerators of modernity: those who labour in and against it.30 Is the hacker the new cultural revolutionary par excellence, precisely by virtue of being located at the leading edge of capitalism’s structural revolution? Aesthetic-activist practices like that of the design collective Metahaven, who have produced several essays, installations and vid­ eos on the cloud and data surveillance, seek to

essay on Nineteen Eighty-Four, dating from 1954, in which the Polish Marxist, a one-time colleague at the Observer newspaper, in fact said relatively little about Trotsky but rather more about Orwell’s ‘mystique of cruelty’, the great abstraction of ‘power-hunger’ that served him as a pass-key to modern history. ‘If you want a picture of the future,’ Orwell wrote, ‘imagine a boot stamping on a human face—for ever.’ This cannot be written off as a statement internal to the invented world of

point of tensions moved to Donetsk and Luhansk provinces, where separatist groups formed in March and began to seize local administrative buildings. What distinguishes these two regions from the other, predominantly Russian-speaking areas of eastern and southern Ukraine? I don’t know how far back we want to go, but right up until the eighteenth century this area was dikoe pole, the ‘wild field’ of steppe dominated by nomads—latterly the Crimean Tatars. Russian and Ukrainian peasants began to

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