The Art of The Good Dinosaur
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What if the asteroid that forever changed life on Earth missed the planet completely and dinosaurs never became extinct? The Good Dinosaur expands on that premise in a humorous and exciting original story about Arlo, a lively Apatosaurus with a big heart. Showcasing the stunning artwork from the film's creation—including sketches, storyboards, maquette sculpts, colorscripts, and much more—The Art of The Good Dinosaur offers the ultimate behind-the-scenes look at the research and design that went into the making of this innovative film.
Benson Lighting Study Sharon Calahan, Layout Rosana Sullivan 134 Lighting Study Sharon Calahan, Layout Rosana Sullivan & Kelsey Mann Lighting Study Sharon Calahan, Layout Erik Benson 135 136 Concept Art Huy Nguyen Layout Rosana Sullivan & Edgar Karapetyan 137 Set Design Kristian Norelius, Layout Matt Aspbury 138 Storyboard Domee Shi 139 Lighting Study Sharon Calahan, Layout Matt Aspbury 140 (top) Storyboard (bottom) Rosana Sullivan Storyboard Bill Presing & Rosana Sullivan
141 Set Design Garrett Taylor Layout Matt Aspbury 143 144 Concept Art Huy Nguyen 145 Storyboard Thumbnails Bill Presing 660 Find spot - ML 2 -10/16/14 spot (howl) Arlo runs in that direction. He finds four Pterodactyls at the river, around a dead tree Spot in inside the tree. Spot is clearly hurt, trying to protuct himself but vulnerable. He looks over to Arlo-- HELP ME. 6 vururos(l bumed) SMASH Spot dodges down as a Ptero smashes at the tree trunk to get him. PTEROADACTYLS (walla)
Pteros attack Arlo -- using their beaks and wings to beat the crap out of him. Back ftermu lockatBulyokVichngthanselt PTEROADACTYLS You think you're somethin'? / You aren't anything. /Piece of Worthless -- / Get up! I dare you! ARLO (impact, pained) Arlo tries to fight them but he is failing. WATER RISES in the river near ARLO. THE GROUND STARTS SHAKE. ©2014 DISNEY. PIXAR - PRIVILEGED AND CONFIDENTIAL 146 Storyboard Rosana Sullivan 147 Color Study Laura Phillips, Set Design Kristian
a purity of storytelling that took a long time and a lot of hard work to achieve. The deliberate choice to have very little dialogue in the film meant that there would be that much more attention on the visual storytelling, and, as you’ll see, the film’s artists have absolutely risen to the occasion. Their spectacular, ingenious, and appealing work masterfully supports Arlo and Spot’s story— one of the most emotional we’ve ever told. 5 1 2 INTRODUCTION PETER SOHN This movie started with a
Presing, Gleb Sanchez-Lobashov, Louise Smythe, Rosana Sullivan This Page: Spot Character Study Peter Sohn Next Page: Baby Arlo Character Study Matt Nolte Back Cover: Concept Art Kyle Macnaughton, Layout Rosana Sullivan About the Authors J O H N L A S S E T E R is a two-time Academy Award®–winning director, chief creative officer at Walt Disney and Pixar Animation Studios, and principal creative officer at Walt Disney Imagineering. P E T E R S O H N is the director of The Good Dinosaur.