The Good Life: The Autobiography Of Tony Bennett
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He's that regular guy from Astoria, Queens, who left his heart in San Francisco. He's the postwar heartthrob who inspired hundreds of young girls to wear black outside St. Patrick's Cathedral on his wedding day. He's the darling of the MTV generation who made music history when, at the age of 68, he won the coveted Grammy Award® for Album of the Year. He's the consummate artist known worldwide for his paintings. He's Tony Bennett, whose star shines brighter than ever as he enters his fifth decade of performing. Now, for the first time, this legend shares his amazing life story -- in a voice that's pure Tony Bennett: warm, resonant, and unforgettable.
"Tony Bennett has not just bridged the generation gap, he has demolished it," praised The New York Times. Since his appearance with the Red Hot Chili Peppers of the 1993 MTV Video Awards, and the addition of his seminal video, "Steppin' Out," to the MTV playlist, Bennett has become the hottest -- and coolest -- pop-culture icon for today's younger listeners, while remaining beloved by their parents and grandparents. An astonishing four generations have experienced the Tony Bennett magic -- the mesmerizing spell of a singer in love with singing, who embraces his audience with a soulful serenity communicated by both the man and his music.
Honored with countless awards, including eight Grammys, and with more than ninety albums to his credit (more than thirty million sold for the Columbia label alone), no other recording artist has attained Bennett's stature -- or garnered the half-century of memories shared in The Good Life. From Sinatra, Judy Garland and Ella Fitzgerald, to k.d. lang and Elvis Costello, Bennett shares his unique takes on the most fascinating talents of our time. Here is the story of his lifelong love affair with art, music, and performing -- from his childhood in Depression-era Queens, where opera and Billie Holiday flowed freely; to his stint as a singing waiter; to soaking up the New York jazz scene in the 1940s. With crisp wit and firmly grounded emotion, Bennett captures the people and places that shaped his sublime performances. The dozens of hits he introduced to the great American songbook, including "Because of You," "Rags to Riches," "Cold, Cold Heart," and his signature song, "I Left My Heart in Son Francisco," remain a legacy of truth and beauty for the classic art of intimate singing.
In this wonderfully revealing self-portrait, we get to know Tony Bennett as he really is: an unpretentious and thoughtful human being. His key to success is consistency: His constant dedication in his pursuit of excellence has never wavered, despite the trials and tribulations one can encounter when placing integrity above all else. Through all of his personal and artistic challenges, he has remained, in his own words, "a humanist" whose Zen-like philosophy of life is an inspiration for all ages. Like the fascinating story he shares in The Good Life, Tony Bennett is one of a kind, an American treasure, an enduring artist seasoned with experience and self-knowledge, and a true class act.
performers believed that it was important to have a snappy, “eight-by-ten glossy” kind of a name that was easy to remember. I had been told that Anthony Dominick Benedetto, or even just Anthony Benedetto, was too long and sounded too ethnic. I had come up with the last name “Bari” because it was short and it was the name of both a province and city in Italy, as well as an anagram of the last part of my grandparents’ birthplace, Calabria. And to my ears “Joe” sounded pretty American. Earle
road, but Susan was still pressuring Ralph to stay home. When Hugh Hefner opened a new club in San Francisco in the spring of 1966, he asked Ralph to become permanent musical director, and it seemed too good an offer to turn down. We were both terribly broken up over his leaving. I had a number of pianists while Ralph was away. The most famous was Tommy Flanagan, one of the most marvelous accompanists of all time. He’d spent many years on the road with Ella Fitzgerald and didn’t really want to
because we didn’t work together until 1967. We decided to do a Christmas album together. The title, Snowfall, was inspired by Claude Thornhill’s most famous composition and struck me as a beautiful title. We taped six tracks in New York and four tracks in London. The project inspired Bob to work at his highest level, and his orchestrations were superb. I especially liked “Christmasland,” an original song Bob and his brother Brian wrote for the album. The New York recording session for Snowfall
Has Gone Stranger in Paradise Here in My Heart Please Driver 1/14/57 TONY It Had to Be You You Can Depend on Me I’m Just a Lucky So and So Taking a Chance on Love These Foolish Things I Can’t Give You Anything but Love The Boulevard of Broken Dreams I’ll Be Seeing You Always Love Walked In Lost in the Stars Without a Song 12/9/57 THE BEAT OF MY HEART Let’s Begin Lullaby of Broadway Let There Be Love Love for Sale Army Air Corps Song Crazy Rhythm The Beat of My Heart
Girl I Love It’s Like Reaching for the Moon Speak Low The Folks Who Live on the Hill Antonia A Weaver of Dreams/There Will Never Be Another You Body and Soul Where Do You Go From Love? The Boulevard of Broken Dreams Where Did the Magic Go? I’ve Come Home Again 1991 FORTY YEARS: THE ARTISTRY OF TONY BENNETT—A 4-CD COMPILATION (Columbia / Legacy) Vol. 1 The Boulevard of Broken Dreams Because of You Cold, Cold Heart Blue Velvet Rags to Riches Stranger in Paradise While