The Moon Moth

The Moon Moth

Jack Vance, Humayoun Ibrahim

Language: English

Pages: 128

ISBN: 1596433671

Format: PDF / Kindle (mobi) / ePub


A classic science fiction tale finds new life in this graphic novel adaptation.

A fascinating blend of murder mystery and high-concept science fiction, The Moon Moth has long been hailed as one of Jack Vance's greatest works. And now this intricately crafted tale is available in glorious full color as a new graphic novel.

Edwer Thissell, the new consul from Earth to the planet Sirene, is having all kinds of trouble adjusting to the local culture. The Sirenese cover their faces with exquisitely crafted masks that indicate their social status. Thissell, a bumbling foreigner, wears a mask of very low status: the Moon Moth.

Shortly after Thissell arrives on Sirene, he finds himself embroiled in a an unsolved murder case made all the more mysterious by the fact that since everyone must always wear a mask, you can never be sure who you're dealing with.

The Eighth Court (The Courts of the Feyre, Book 4)

Dhampir (Noble Dead Saga I, Book 1)

Brothers in Arms (Dragonlance: Raistlin Chronicles, Book 2)

In a Glass Grimmly

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Moon Moth Jack Holbrook Vance Jack Vance THE MOON MOTH Originally Published in Galaxy August 1961 The houseboat had been built to the most exacting standards of Sirenese craftsmanship, which is to say, as close to the absolute as human eye could detect. The planking of waxy dark wood showed no joints, the fastenings were platinum rivets countersunk and polished flat. In style, the boat was massive, broad beamed, steady as the shore itself, without ponderosity or slackness

the scrutiny unsettling, all the more so for the immobility of the masks. Self-consciously adjusting his own Moon Moth, he climbed the ladder to the dock. A slave rose from where he had been squatting, touched knuckles to the black cloth at his forehead, and sang on a three-tone phrase of interrogation: “The Moon Moth before me possibly expresses the identity of Ser Edwer Thissell?” Thissell tapped the hymerkin, which hung at his belt and sang: “I am Ser Thissell.” “I have been honored by a

and tinkle of musical instruments. Lights from the floating houseboats glowed yellow and wan watermelon-red. The shore was dark; the Night-men would presently come slinking to paw through refuse and stare jealously across the water. In nine days the Buenaventura came past Sirene on its regular schedule; Thissell had his orders to return to Poly-polis. In nine days, could he locate Haxo Angmark? Nine days weren’t too many, Thissell decided, but they might possibly be enough. Two days passed,

off a dozen quick scales, making very few mistakes. Of the six instruments he had set himself to learn, the zachinko had proved the least refractory (with the exception, of course, of the hymerkin, that clacking, slapping, clattering device of wood and stone used exclusively with the slaves). Thissell practiced another ten minutes, then put aside the zachinko. He flexed his arms, wrung his aching fingers. Every waking moment since his arrival had been given to the instruments: the hymerkin, the

and Thissell’s diffident manner, continued with his work. Thissell, selecting the easiest of his instruments, stroked his strapan — possibly not the most felicitous choice, for it conveyed a certain degree of condescension. Thissell tried to counteract his flavor by singing in warm, almost effusive, tones, shaking the strapan whimsically when he struck a wrong note: “A stranger is an interesting person to deal with; his habits are unfamiliar, he excites curiosity. Not twenty minutes ago a

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